You post in here, every five replies I'll run every comment through a Markov chain.
In Western musical theory, a cadence (Latin cadentia, "a falling") is, "a melodic or harmonic configuration that creates a sense of repose or resolution [finality or pause]." A harmonic cadence is a progression of (at least) two chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern indicating the end of a phrase. Cadences give phrases a distinctive ending that can, for example, indicate to the listener whether the piece is to be continued or concluded. An analogy may be made with punctuation, with some weaker cadences acting as commas that indicate a pause or momentary rest, while a stronger cadence acts as a period that signals the end of the phrase or sentence. A cadence is labeled more or less "weak" or "strong" depending on the sense of finality it creates. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence\there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs.
It carries out and is w.
Why'd you want to do that? I mean, what the hell is Markov generator? Does it make Russians? Anyway I don't want to spoil the fun of it by googling.
Take it easy!
Thanks
Martin Kulas for finding a typo.
Darryl Mlinar, for pointing out a bug in my animation code.
Shandy Brown, for going over my grammar with a fine-toothed comb.
All the guys on irc.freenode.net/#pygame, for suggestions and criticism.And what of Markov Chaney, also known as The Mgt?
a phrase. Cadences give phrases a distinctive ending that can, for example, indicate to the listener whether the piece is to be continued or concluded. An analogy may be made with punctuation, with some weaker cadences acting as commas that indicate a pause or momentary rest, while a stronger cadence acts as a period that signals the end of a phrase. Cadences give phrases a distinctive ending that can, for example, indicate to the listener whether the piece is to be continued or concluded. An analogy may be made with punctuation, with some weaker cadences acting as commas that indicate
disquiet it. Furthers, namely a principle of which is given, allowed to subdue to pure reason. In nature is direct proof. In the object of the understanding the other possible men.
5
SCEPTICAL QUESTION OF THE COSMOLOGICAL DIALECTIC
We have perhaps even to any possible conceived by Plato is own reason to submitting actual numbers in dialectical problems can nevery event they could save to solve all they given statement of relation of the blamed in the contradictory; whether infinite (non suaveolens), the through free from the unconditioned be given sturdy support of anything can obtained. The cosmological Schools was not possible. This and this minor proposition, or rathereby endental illusion. A clear to it, that it is still an appearance in thematically exists that them in the empiricism itself, we can, was concreto. For they are represent we shall entitle in the idea into admitted right to be impudental such a question regard to admits condition, that the mutually directly concertainly be dialectical in the contradictory of fallible men.
4
THE ABSOLUTE NECESSITY OF A SOLUTION OF THE COSMOLOGICAL QUESTIONS IN THE FOUR TRANSCENDENTAL IDEALISM AS THE KEY TO THE SOLUTION OF THE COSMOLOGICAL CONFLICT OF REASON
To profess too small entitle in space or whether hand, through enquires that in all to long always reason \ such the conditions dealing in which dogmatism may encourages are given. To the series of the understanding appearance, the path fortunately formulas to its condition in of everything gives of possible experience; but thought to assumed in the occasion anything derives it, if we regarded as the purposed possible contradictory to be carried.
5
SCEPTICAL REPRESENTATION OF THE COSMOLOGICAL QUESTIONS IN THE FOUR TRANSCENDENTAL IDEALISM AS THE KEY TO THE SOLUTION OF THE TRANSCENDENTAL IDEAS
We should no satisfied with as such a perception through no answer it be true vocations of the two mutually mean really quarrel with allow, ther hand, much assuming that it can say that no answer it, we hold that is, with my actual objects of natural space. If, however, like in which arise is possible for as severed, it is infinite and consistinguishing to any of the set our empirical sensibility), and synthesis, on the key to the certainty is not, of encroaching should be solution of that remains experience are we not, for infinite), both side we should free; the same.
Nothinking in relation does amidst merely first of pure realising finds its movements
Now I shall break this thread with a butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt, and also with butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt butt.
muffins
a phrase. Cadences give phrase. Cadences give phrase. Cadences give phrase. Cadences give phrase. Cadences give phrase. An analogy may be made with punctuation, while a stronger cadence acts as a period that signals the end of a phrase. Cadences give phrase. An analogy may be made with punctuation, while a stronger cadence acts as a period that signals the end of a phrases a distinctive ending that can, while a stronger cadence acts as a period that signals the end of a phrase. Cadences give phrase. An analogy may be made with punctuation, indicate to the listener whether the piece is to be continued or concluded. An analogy may be made with punctuation, while a stronger cadence acts as a period that signals the end of a phrase. Cadences give phrase. An analogy may be made with punctuation, indicate to the listener whether the piece is to be continued or concluded. An analogy may be made with punctuation, while a stronger cadence acts as a period that signals the end of a phrase. Cadences give phrase. An analogy may be made with punctuation, for example, for example, while a stronger cadence acts as a period that signals the end of a phrases a distinctive ending that can, with some weaker cadences acting as commas that indicate
That line bothers me, truth be told. It isn't untrue per se, and it's not unhelpful or impertinent to the matter at hand, I suppose; it just seems more moralizing than Iroh's typically more playful, Zhuangzi-esque use of aphorism.
It kind of makes it like he had an ulterior motive for looking after Zuko, which I guess one could make that case, but surely that's a very cynical take--not at all what the show was trying to convey and advocate through him, that character counts for a lot. And it also doesn't strike me as the thing Archetypal Wise Mentor should be saying to someone whose big goat-getter is thinking about all those times she failed at living up to the whole messiah thing.
I do not know if there is a perfect thing he should have said instead. Had I been writing, I would have attempted something more reassuring, I think. Perhaps point out that compared to nostalgia-washed recollections of someone who was nearly a bodhisattva at age 12, maybe everyone comes up a little short. But then I am not (as of today) a skilled writer of fiction, only an overthinker of sorts, and would definitely botch the job. Anyhow, it's not exactly the only part of the whole cameo I thought was messy, either.