The time has come for the next volume of the critically-acclaimed DQN ELECTRONICS series of music compilations! Please send your creations to dqnelectronics93@gmail.com for shall we say, September 8158th 1993? <a href="http://i.imgur.com/chqNlh7.jpg">All are welcome to join in!</a>
There are plenty of songs we have written together that have never been recorded
http://tanasinn.info/wiki/Category:Music
See the "Lyrics of future hits" section on the side of a song's page
(;° ロ°) I messed up my html tags help me beeps
Hell yeah! If I knew even the first thing about making music, I'd be all over this.
plus that deadline is 2 days after the viptronic one, which means anyone who wants to contribute to both will be pretty slammed already
It has?
Are there any Dokyuns good enough at music making to make music?
Well here's a tracker that works on any OS a VIPPER or Dokyun may ever use.
http://www.milkytracker.org/
https://www.youtube.com/watch?v=N2s04YYO0Wg
https://www.youtube.com/watch?v=tbY6tcXELeQ
https://www.youtube.com/watch?v=2glZj3CXheA
>>6
Longer.
>>7 What would you suggest for the deadline? Let's all work together, I am not the boss
October 1st
October 12nd, 2199
>>7
I really had started going through that tutorial series a few months ago, but eventually I lost interest.
After the holidays are over. After new years. End of February?
Why are we doing this anyway?
Music is really more the secret area's thing than Channel4's.
>>12
Well, the secret area got the idea from the DQN Electronics series in the first place...
>Music is really more the secret area's thing than Channel4's.
Seriously?
How can you have a album thread without it also being a song thread?
Title: >>15
First verse: >>15,15,15,15
Chorus: >>15,15,15,15
Second verse: >>15,15,15,15
Bridge: >>15,15,15,15
Last line: >>2
Woo, DQN went without a music thread for far too long! We need our creative people back! Let's all be creative!
I hope to hear some dulcimer on this album and also lots of text-to-speech!
If I don't hear a 909 hi hat and amen in the same song, I will be disappointed.
>>23 Someone here posted a tune they did on one a long time ago
>>23
my uncle has a text-to-speech too. he showed me how to play it, it's pretty cool
I've been talking to dendy, he's done with it and has given me and my collaborator blessings to continue running the comp. as long as we use a new name. DQN Digital.
Who is dendy? What is she done with? Why is he demanding a new name? What is this abhorrent individualism?!
I've been talking to dendy, he's done with it and has given me and my collaborator blessings to continue running the comp. as long as we use a new name. DQN Music Collaboration.
I've been talking to dendy, he's done with it and has given me and my collaborator blessings to continue running the comp. as long as we keep the old name. DQN Electronics.
I've been talking to dendy, he's done with it and doesn't want there to be another one..
If he's done with it, why does his Twitter bio say "dqn soundsmith", eh???
Fucking Canadians ruining things for everybody as usual...
Still doesn't look like a decent reason to drop DQN though, >>32.
Judging by his posts and retweets, he's just too busy with his circlejerk of BIG NAME HIPSTER PALS. Oh well then, I guess.
Let's make a classical music album (by DQN Orchestra) instead.
No need for sour grapes, >>34, these guys have moved on.
Really, the time this thread was trying to recreate won't ever actually exist again. DQN isn't like that anymore. Likewise, SAoVQ doesn't even really exist anymore (and that's a mercy: it had no identity of its own, and could only copy in half-measures in a totally non-understanding way what the Japanese did).
Booo booo dendy crew booo booo!
>>35
Why would you want to recreate a time when an external cabal controlled "DQN" content? I say we make an album here without input or credence to the directives of individualists.
Booo booo dendy crew booo booo!
>>35
So what if something can never be the same? Different doesn't mean bad. If you listen to yourself, you sound like one of the mindless people who are stuck in the past who think old equals good. There are good things in the past, and there are good things in the present. There are probably even going to be good things in the future. All I know is that with a defeatist attitude like that nothing of value will be made.
I'm making a really dope track for this just y'all wait it's gonna be MAD
ANGRY
909 HI HATS
>Likewise, SAoVQ doesn't even really exist anymore (and that's a mercy: it had no identity of its own, and could only copy in half-measures in a totally non-understanding way what the Japanese did).
I agree so much with this.
>>42
That's fine, but it seems that there are people who enjoy whatever is or is not existing now.
>>42
Where did you find that? I'm interested in reading the rest.
SAoVQ is the Robotech it took it's elements from several other completely unrelated places and bastardized them to have nothing to do with their original meaning and somehow passed that off as a culture.
>>32
i don't get why the one person feels they're better than the other person. i don't see much difference.
>>49
Because a lot of people form standards that always puts them near or at the top of some hierarchy of people. However, what I think you are trying to say is that the person complaining is just as bad as the person he is complaining about, which I have no comment on.
>>48 DQN is simply a shitposting board and never really aspired beyond that, save for DQN QUALITY (which happily isn't a thing these days). Truth be told, DQN has pretty much shed everything else.
>>48
Silly games and SJIS puppetry and a complete lack of acknowledgement of the outside world.
>>52
Eyes opened. Didn't realize I've been shitposting or was supposed to be shitposting this whole time. I've been calling it bullshitting (I guess that was my first clue). Also, shed has multiple meanings. DQN emitted everything else? DQN protected everything else? I don't think VIP quality is much of thing on SAoVQ either, and it's pretty much a shitposting board like DQN. Pretty much all of its members came from DQN anyways. Then again, I don't browse either board that much anymore. I just don't get why people who browse DQN like to shit on it so much (kinda like >>49). They're a pretty creative bunch anyways and have actually completed a few projects (VIPtronics, the zine, the podcast everyone hated).
Back then, there weren't many differences between DQN and SAoVQ.
Also, DQN and SAoVQ especially got almost all 2ch memes wrong, but whatever. ┐（´∀｀）┌
>>54
We've always had shitty 4channers, hell some of the oldest posts are 4chan users and staff not understanding DQN, but perhaps the way 4channers have fun has changed for the worse since then.
I've always seen DQN as about being clever and pantomiming rather than just regurgitating canned responses as people seem to love to do there. It's a great play, a war opera, with enemies soundly defeated one after another.Every thread is an opportunity to have some fun being esoteric and that's the difference between DQN and SAoVQ, we jeer from the crowd at outsiders who make bad threads and cheer on their cock-fight against some invisible enemy where they always throw themselves into the trenches against them.
>>58
Good point. Like you said, it's 4channers that have gotten worse, making them stand out more.
I think these comments are a wonderful example of subjectivity and interpretation.
I think I've got it, the Kawaii-sosu visit counter went away, that has to be why everything has gone for the worse.
None of this would've happened if Squeeks had never left.
Just kidding. bps, you're doing a great job.
This is all Beady Eyes' fault.He's been posting as one of us again.
>>55
As far as I know, the new secret area wasn't advertised anywhere except here. It makes sense that everyone on SAoVQ is now a DQN.
>>66
Actually it was posted on neo/prog/ and 4ct as well, so that explains why it's so shitty now.
It isn't a problem of some of us leaving or somebody new coming - all of us were new at some point.
The problem is that we got older, grumpier, more nostalgic. We let politics affect, poison our thinking - not as dokyuns, but as actual people who are behind every post. We miss the past, the novelty, the funnier, simplier, better times. But that past is nothing but a delusion crafted by our own brains struggling to keep up with the Information Superhighway, it's a product of subconscious filtering coupled with an anger and disappointment with new posts. We see punks flooding the virtual streets - just like our forefathers did without keyboard for thousands of years. The world, however, didn't crumble.
Instead of dwindling on that golden, bright past we shall move forward, each of us doing their own unique thing, no matter how bad, and together we will become the superstructure we always strived to be.
What this means, however, is that you should fire up your favourite music program and... err... jam some grooves?
I want to make bubblegum bass because I want to ride that train before it leaves. I've never produced shit before, what VSTs will help me get that wonky synth goodness?
>>72
Tutorial is appreciated, but I don't dig his final sound, it sounds way too flat and chiptuney. I guess I'll have to mess with FM8.
I fancy having a go at doing a previously unrecorded DQN song. Does anyone have any requests?
>>74
I'm doing a version of Punctual gomez but I think it would be really cool to have more than one version of it.
Or there's always this one: http://4-ch.net/dqn/kareha.pl/1199721513/l50
I made something with the P≠NP lyrics throug a text-to-speech but then noticed on the tanasinn page it says it's a math rock song, so I think I'll start again
>>75
Do you have a link to the punctual gomez song? I'm tempted to make something, but also too insecure to sing instead of using text-to-speech.
A dramatic reading of "It's crowded on the balcony" is always welcome.
Where da tunes @?
I have a tune in my head, but I don't know how to extract it undamaged.
>>83
It scares me. I feel suppressed by a large dark field that takes up my whole screen.
http://www.singlecellsoftware.com/caustic
I gave this a shot, and I'm pretty impressed with it so far. The desktop versions are free.
I submitted my track on time. Even a little bit early. Because I am punctual.
What's this? A new extended deadline? I don't know anything about that. Because I am punctual.
Punctual Gomez out.
Well I tried to learn music theory, but it seems like it'll take a while before I'm versed enough to compose something.
So an extension would be nice. Two years should suffice I think.
>>89 You don't need to learn music theory to put some sounds together you think are nice!
![http://i.imgur.com/chqNlh7.jpg">All](http://i.imgur.com/chqNlh7.jpg">All){kind=link}